Kim Vagner

Kyle Kevorkian Joins the Board

Kyle Kevorkian grew up in Los Angeles, California and graduated from Texas Christian University with a bachelor’s degree in Economics and Philosophy. Following his graduation, Kyle worked for several years as a financial advisor with 49 Financial, based in Austin, Texas. At 49 Financial, Kyle advised a variety of families and businesses in wealth management, life insurance, estate planning, and charitable giving strategies, In 2023, Kyle moved back home to Los Angeles to assume the role of General Manager at Tama Trading Company, a 104 year old wholesale food distribution company that was started by his great grandfather.  Kyle has been a collector of fine minerals and gemstones since 2016, building his collection with a focus on aesthetic presentation and perfection in smaller-sized specimens. Kyle has contributed extensively to the mineral collection community by loaning specimens to museum exhibits, displaying his collection at major shows, and contributing to several podcasts, interviews, and articles.

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World Record for Largest Cut Tanzanite Set at Museum

Do you know the name of the spectacular violet-blue gemstone that is found in only one place in the world?  Answer: Tanzanite Tanzanite was discovered in the northern region of Tanzania in 1967, by a Maasai Tribesman, who stumbled upon it by accident. It wasn’t long before miners moved in and began unearthing the gem, but it was renowned retailer Tiffany & Co., that made it famous. In 1968, realizing the market potential for this new gem, Tiffany & Co. made arrangements to be the main distributor of tanzanite. The retailer launched tanzanite with a huge marketing and publicity blitz that made it an immediate sensation. One of tanzanite’s most interesting attributes is that it is pleochroic, which means that when you hold a tanzanite and move it around, you see three colors  — blue, purple and yellow, or brown.The stones are generally cut to bring out either the blue or purple tones of the gem, which are often heated to remove the yellow and brown hues. Tanzanite crystal. Several years ago, gemstone carver Naomi Sarna visited the tanzanite mines in Tanzania to select a piece of rough to carve for an international competition. At the time the Tanzanian government did not allow tanzanite larger than one gram to be exported. In fact, to get a large enough piece of rough tanzanite, Sarna had to start carving at the mine, working with a flashlight, in a rubble strewn room, finishing it when she returned to her studio. The result was L’Heure Bleu sculpture, which won a First-Place Spectrum Award for carving from the American Gem Trade Association Partially carved L’Heure Bleu tanzanite. L’Heure Bleu tanzanite being weighed. Photo by Shawn Linehan. On Saturday, March 9, 2024 a Guinness World Records™ was set at the Museum by L’Heure Bleu. It was verified as the world’s largest cut tanzanite – at 703.4 carats – by two independent witnesses and a Guinness adjudicator. The expert witnesses, Jessie English of J.S. English Appraisals and Madeline Sanders of Oregon Estate Jewelry, weighed L’Heure Bleu on two separate scales. They then examined the tanzanite and performed tests to make sure it was not another material, such as glass. After these tasks were completed, the Guinness adjudicator verified and announced the results to the crowd that was present for the event.  Expert witness Jessie English examining L’Heure Bleu tanzanite. Photo by Shawn Linehan. Naomi Sarna presented with Guinness World Records Achievement for Largest Cut Tanzanite by Guinness Adjudicator. Photo by Shawn Linehan. Touched by the community and the poverty she witnessed while teaching the Maasai women how to make jewelry from tanzanite, Sarna announced that profits from the sale of the L’Heure Bleu carving would go to the Maasai to provide eye care for the community through the world recognized Casey Eye Institute of Portland, Oregon. 

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FREE Guided Tour Program Returns

The Museum is offering free guided group tours (guided experiences) from May through November 2023 thanks to a grant from the Juan Young Trust. These limited capacity group tours hit all of the same Next Generation Science Standards as the Museum’s typical school tour program and are lead by the same enthusiastic group of educators. Tours include outdoor activities (weather permitting).  Priority booking is given to families who have been negatively impacted by COVID-19. This program is part of the Rice Museum’s commitment to make earth science education more accessible to the residents of the communities the museum serves. The Rice Museum has been bringing informal earth science experiences to the Portland metropolitan area and the surrounding region since 1997.  The Museum is actively seeking funding to expand the free tour program. Donate now to help make this a reality.  Advanced registration is required. These are mixed group (families) tours of up to 25 attendees per program. BOOK YOUR TOUR TODAY

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EXPLORING THE RICE NORTHWEST MUSEUM

By Hannah Brodhagen   While on a rockhounding trip to southern Oregon and northern Nevada this past summer, my family and I took a side trip to visit the Rice Northwest Museum of Rocks and Minerals in Hillsboro, Oregon. The Rice Museum was founded by Richard and Helen Rice in 1997. Richard and Helen began collecting rocks in 1938 while on a trip to the coast of Oregon where they found jaspers and agates that they thought were pretty. After that, they joined rock clubs where they could go on field trips to find petrified wood, thundereggs, agates and other pretty rocks. Though at first Richard and Helen only had a collection of lapidary specimens, they later added mineral specimens, too. When they were in their 80s, the decision was made to turn their house into a museum and donate their specimens.   We were very fortunate to have Sharleen Rice Harvey, one of Richard and Helen’s daughters, give us a tour of her parents’ museum, which holds over 20,000 specimens. On the upper level, there is the hall display, featuring some minerals and information about them, as well as about Richard and Helen Rice. There is also the Rainbow Gallery, a dark room with amazing fluorescent minerals, shown in longwave, shortwave, and natural lighting. The Fossil Gallery holds dinosaur eggs, a fossilized baby Psittacosaurus, and many more neat fossils. The Special Exhibitions on the upper level include over 50 native silver specimens from the collections of Gene Meieran, Jim and Gail Spann, and the Rice Museum. There are wire silver specimens, crystallized silver, and other silver-bearing minerals. I was very interested in this room because I think the silvers of Kongsberg, Norway and Saxony, Germany are really intriguing.     The lower level hosts Dennis and Mary Murphy’s Petrified Wood Gallery, containing over 460 petrified wood specimens. Among the nation’s best collection of petrified wood, this is truly an amazing gallery. It was so neat to see how each tree species had actually been identified and represented trees from around the world. I was also impressed by the large variety of colors of the petrified woods, including blues and greens which were quite different from the reds and yellows I am used to seeing in Arizona.   Also, on the lower level is the Main Gallery, which hosts over 4,000 specimens. Among diamonds, rubies, sapphires, and emeralds, sits the famous Alma Rose rhodochrosite from the Sweet Home Mine in Colorado. One of my favorite specimens of rhodochrosite, it is really beautiful and a must-see in person. Gold, copper, and more rare and unique minerals can be seen in that gallery, too, including a nice collection of azurites from Morenci, Arizona.   The Northwest Gallery is a separate building that used to be Richard Rice’s workshop.  It features a thunderegg collection, the Tschernich zeolite collection, and many sunstones. I was surprised to see what good quality and variety of zeolites are found in the Pacific Northwest; I would like to return some day and do some collecting of these specimens. We finished our tour in about four hours, and I would not hesitate to go back. The Rice Northwest Museum of Rocks and Minerals is truly a remarkable place.     ABOUT HANNAH I’m a junior member of the Mineralogical Society of Arizona, and I’ve been collecting minerals for 5 years since I was 8 ½. My favorite mineral is rhodochrosite. I also love Arizona minerals and minerals from Germany, where my mom was born. I am thrilled when I can self-collect minerals, and my family and I have dug at over 30 mines/localities in 6 different states so far. I also enjoy collecting gemstones, especially rare ones that match my mineral specimens, and I’m currently learning to facet gems. I entered competitive mineral exhibits at the 2022 Tucson Gem and Mineral Show and the 2022 Rocky Mountain Federation of Mineralogical Societies Show and received the best Junior trophy in both competitions. I love reading mineral publications. I am fascinated by mineral carvings and mineral photography. I hope to study gemology, mineralogy, geology, or mining engineering…I haven’t decided which, as I’d like to do them all! My other hobbies are riding/showing Arabian horses, Junior Olympic archery, and designing hummingbird gardens.

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Auction to Benefit the Rice Museum

The Museum has once again partnered with Dr. Rob Lavinsky and MineralAuctions.com for an online auction to benefit the Rice Museum. The online event will feature sixty fabulous lots, including mineral specimens, gemstones, and objet d’art, some of which were once part of the Rice Family Collection. Proceeds will go directly to support the care of our collections and future educational programming. See below to learn more about the Rice specimens and the selection process. Registration is required to bid. Please visit mineralauctions.com/account/register to sign up, or click the Register link in the top right corner of the site. Payment information is required to activate accounts, but this information is not saved or stored on the site. Winners will receive a personal invoice after the auction with shipping and insurance costs added. Mineralauctions.com does not add buyers premiums to auction items. We thank the following donors for their generosity and support of the Museum: Charles and Betty Mosher Conan Barker Fred Cirillo and Sharon Meieran A message regarding Rice Family specimens up for auction:  Several years ago, the Curator, in coordination with museum Founder Sharleen Harvey, embarked on a project to categorize the collection and identify redundant items from the Rice Family catalog (which was gifted as a whole when the Museum was formed in 1997). After the first phase of the project (specimen identification), it was shelved due to staffing levels and time availability. For much of 2020 and 2021, the Museum operated at a diminished capacity or shuttered entirely. Museum staff used this downtime to focus on deferred projects, including property maintenance, refreshing galleries and exhibits, developing new marketing and educational materials, and collections management, which included a focus on responsible deaccessioning (the act of removing something from a collection). As with most museums, only about 25% (or less) of our collection is on display at any one time. The specimens that were selected in coordination with the donor were chosen because other similar, often more significant and more unique, are represented. Visitors will see no difference when touring our galleries, and the process has opened up valuable storage space for continued acquisitions. A message from the Rice Museum Board of Directors on the choice to deaccession:  After much discussion and reflection, the Rice Museum Board has decided to move forward with targeted deaccessions. We, the Board, believe there are four facts about museums that should be shared with you, our supporters. First, most private museums are established to educate and share with others, interests of the person(s) founding the museum. And while a great degree of care usually goes into defining and exhibiting objects, significantly less attention, and resources are devoted to the significant costs needed to make the exhibitions viewable and the care of collections, which includes cases, lighting, documentation, security, curation, storage, insurance, building maintenance, etc. Second, museums are living institutions; they grow and expand as people make donations of objects and as the museum makes targeted purchases. As a result, museums accumulate an abundance of objects that they neither have room to store or curate, and many are redundant to existing collections or deemed unsuitable for exhibit. Third, rarely do donations of objects also come with the financial support needed to ensure the objects can be appropriately displayed or stored. Finally, museums resort to many ways to raise funds to support not only the acquisition of more objects, to remain current and relevant, but to pay all of the associated costs of running a museum. Fundraising activities are critical to a museum’s success. Consequently, it is not uncommon for museums to go through the formal process of deaccessioning. Some recent examples of peer institutions include: The Harvard Mineral Museum has held periodic sales of mineral specimens. The University of Arizona has held sales of redundant specimens. We recognize that museums are held to high standards in protecting the objects that justify their existence; we cannot overemphasize that this project was done thoughtfully in coordination with the co-founder of the Museum and donor of the deaccessioned specimens. A committee of knowledgeable mineral collectors on the Board and the Curator worked together to ensure that the Collection Management Policy process was followed and that additional steps were taken to maintain what is considered the Museum’s core collection.

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Rice Northwest Museum of Rocks & Minerals
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